Tobin wrote:Wow, I guess we'll have to agree to disagree on the definition of supoosition vs offering proof and evidence. I have offered none of the latter nor claimed to. I have stated I have some reasons for my suppositions only. It is you on the other side that are stating you have "proof" it is not so. I've seen very little proof so far, just more supposition.
Tobin, I've gone through every picture I can find of the Anasazi wall paintings available on the internet. (There are more than 100 rock art sites) I can't do better than that since I live in Europe. I found one image of a horse at the birthing scene wall paintings that do not lie within any of the surrounding three National Parks. (Canyon Lands National Park, Arches National Park, Manti-La Sal National Park) Since that area does not lie within a protected (not that vandals don't scribble graffiti anyway) park area, there can be no guarantee to their dating or validity.
http://www.canyonsworldwide.com/chacocanyon/p1.htmhttp://www.canyonsworldwide.com/chacoan ... eshow.html (The last picture of this slide show doesn't count. The guy is obviously wearing a Sears cotton button down shirt)
http://www.canyonsworldwide.com/chacoan ... nigma.htmlIt is known from Anasazi skeletal finds that many of the Anasazi suffered (both male and female) arthritis and spinal degeneration due to carrying heavy loads. So if they had horses, they hadn't figured out how to get them to carry loads.
There are wall paintings at the Canyon de Chelly site that depicts horses but it also clearly has a priest wearing a cross. Oops.
At the Nine Mile Canyon site someone has painted on top of a rock painting "NO TRESSPASSING THIS IS PRIVATE PROPERTY." Knowledge of spelling is not a vandalism prerequisite." Here is the photo.
http://www.jqjacobs.net/rock_art/images ... raph_t.jpg It is followed by: "Contemporary site stewardship ethics prohibit altering or even touching the glyphs. Unlike pottery and basketry, rock art must remain in the wild, a unguarded outdoor museum susceptible to the elements and to the species that created it. Ironically humans represent the greatest danger to rock art sites. Pictographs in European caves have endured for 25,000 years. Today rock art destruction is occurring at a rate that makes natural attrition seem harmless. The destruction wrought in the 20th century has probably outpaced the most productive era of rock art creation. Only the utmost care and respect can preserve our wild museums for future millennia."
Many other rock art sites are vandalized by A**holes who write their names across the pictures. Or even shoot then full of bulletholes. There are pictographs of horses and riders but it is nigh on impossible to date them. The coloration compared to other pictographs on the same wall would seem to indicate much later dating.
http://www.jqjacobs.net/rock_art/fremont.htmlhttp://www.jqjacobs.net/rock_art/images ... k_utah.jpgYou can buy a figurine of a Anasazi horse at ShopWiki.com but I hardly think that counts
And in the end, the love you take, is equal to the love...you make. PMcC