The "Caractors" from the Gold Plates, Part I of 19th Century
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The "Caractors" from the Gold Plates, Part I of 19th Century
http://mormonitemusings.com/2013/08/30/ ... ld-plates/
This is Part I of “19th Century Photo of Joseph Smith’s ‘Caractors’ Found”.
This is Part I of “19th Century Photo of Joseph Smith’s ‘Caractors’ Found”.
Riding on a speeding train; trapped inside a revolving door;
Lost in the riddle of a quatrain; Stuck in an elevator between floors.
One focal point in a random world can change your direction:
One step where events converge may alter your perception.
Lost in the riddle of a quatrain; Stuck in an elevator between floors.
One focal point in a random world can change your direction:
One step where events converge may alter your perception.
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Re: The "Caractors" from the Gold Plates, Part I of 19th Cen
Excellent! I look forward to reading it.
Is there a link to the 1867 image of David Whitmer that's mentioned in your blog?
Is there a link to the 1867 image of David Whitmer that's mentioned in your blog?
Surprise, surprise, there is no divine mandate for the Church to discuss and portray its history accurately.
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I pray thee, sir, forgive me for the mess. And whether I shot first, I'll not confess.
--Han Solo, from William Shakespeare's Star Wars
--Yahoo Bot
I pray thee, sir, forgive me for the mess. And whether I shot first, I'll not confess.
--Han Solo, from William Shakespeare's Star Wars
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Re: The "Caractors" from the Gold Plates, Part I of 19th Cen
This image of Oliver Cowdrey, from grindael's article, is neither a print from a wet collodion negative, nor from a dry gelatin image. It is a daguerreotype, considered by some to be the most challenging and aesthetic photographic medium of all. Traditional daguerreotypy is extremely dangerous and often fatal, due to the fact that the exposed plate must be developed with hot mercury vapor.
This particular image was struck by James Pressley Ball, an African-American daguerreotypist who learned the process in 1845.

This particular image was struck by James Pressley Ball, an African-American daguerreotypist who learned the process in 1845.

Surprise, surprise, there is no divine mandate for the Church to discuss and portray its history accurately.
--Yahoo Bot
I pray thee, sir, forgive me for the mess. And whether I shot first, I'll not confess.
--Han Solo, from William Shakespeare's Star Wars
--Yahoo Bot
I pray thee, sir, forgive me for the mess. And whether I shot first, I'll not confess.
--Han Solo, from William Shakespeare's Star Wars
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Re: The "Caractors" from the Gold Plates, Part I of 19th Cen
EA,
Here it is, I'll add the link to the article, thanks (that is why I need feedback)
http://www.flickr.com/photos/claycounty ... 9435838298
And here is another, of an even older David,
http://www.flickr.com/photos/claycounty ... 9435838298
Here it is, I'll add the link to the article, thanks (that is why I need feedback)
http://www.flickr.com/photos/claycounty ... 9435838298
And here is another, of an even older David,
http://www.flickr.com/photos/claycounty ... 9435838298
Riding on a speeding train; trapped inside a revolving door;
Lost in the riddle of a quatrain; Stuck in an elevator between floors.
One focal point in a random world can change your direction:
One step where events converge may alter your perception.
Lost in the riddle of a quatrain; Stuck in an elevator between floors.
One focal point in a random world can change your direction:
One step where events converge may alter your perception.
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- Joined: Mon Aug 08, 2011 8:15 am
Re: The "Caractors" from the Gold Plates, Part I of 19th Cen
EA,
Looking at the Cowdery Dag, and then looking at the famous Joseph Smith dag, it is obvious to me that it is only a dag of a painting of Joseph. The differences are striking.
Looking at the Cowdery Dag, and then looking at the famous Joseph Smith dag, it is obvious to me that it is only a dag of a painting of Joseph. The differences are striking.
Riding on a speeding train; trapped inside a revolving door;
Lost in the riddle of a quatrain; Stuck in an elevator between floors.
One focal point in a random world can change your direction:
One step where events converge may alter your perception.
Lost in the riddle of a quatrain; Stuck in an elevator between floors.
One focal point in a random world can change your direction:
One step where events converge may alter your perception.
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- _Emeritus
- Posts: 3050
- Joined: Fri Jun 24, 2011 8:07 pm
Re: The "Caractors" from the Gold Plates, Part I of 19th Cen
Thanks!
Surprise, surprise, there is no divine mandate for the Church to discuss and portray its history accurately.
--Yahoo Bot
I pray thee, sir, forgive me for the mess. And whether I shot first, I'll not confess.
--Han Solo, from William Shakespeare's Star Wars
--Yahoo Bot
I pray thee, sir, forgive me for the mess. And whether I shot first, I'll not confess.
--Han Solo, from William Shakespeare's Star Wars
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Re: The "Caractors" from the Gold Plates, Part I of 19th Cen
grindael wrote:EA,
Looking at the Cowdery Dag, and then looking at the famous Joseph Smith dag, it is obvious to me that it is only a dag of a painting of Joseph. The differences are striking.
If I recall correctly, Joseph Smith's son said that particular image was a heavily retouched albumin print made from a glass negative (wet? dry? who knows...) copy of a painting done during the Nauvoo period. So, it's probably not a reliable representation of what Joseph Smith Jr looked like.
I'm a bit surprised that no one's turned up an authentic Joseph Smith daguerreotype, yet. You'd think a charismatic, outgoing guy like him would have had at least several daguerreotypes made.
The image quality of your average daguerreotype was quite good, such as this one from the late 1840's...

Surprise, surprise, there is no divine mandate for the Church to discuss and portray its history accurately.
--Yahoo Bot
I pray thee, sir, forgive me for the mess. And whether I shot first, I'll not confess.
--Han Solo, from William Shakespeare's Star Wars
--Yahoo Bot
I pray thee, sir, forgive me for the mess. And whether I shot first, I'll not confess.
--Han Solo, from William Shakespeare's Star Wars
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Re: The "Caractors" from the Gold Plates, Part I of 19th Cen
I think there are dags out there, but I think they have been suppressed.
Riding on a speeding train; trapped inside a revolving door;
Lost in the riddle of a quatrain; Stuck in an elevator between floors.
One focal point in a random world can change your direction:
One step where events converge may alter your perception.
Lost in the riddle of a quatrain; Stuck in an elevator between floors.
One focal point in a random world can change your direction:
One step where events converge may alter your perception.
-
- _Emeritus
- Posts: 3050
- Joined: Fri Jun 24, 2011 8:07 pm
Re: The "Caractors" from the Gold Plates, Part I of 19th Cen
grindael wrote:I think there are dags out there, but I think they have been suppressed.
If there's a postmortem daguerreotype out there, taken after he was killed, I can certainly see that being kept from public view.
What I'd like to see is a daguerreotype of the Angel Moroni.

Surprise, surprise, there is no divine mandate for the Church to discuss and portray its history accurately.
--Yahoo Bot
I pray thee, sir, forgive me for the mess. And whether I shot first, I'll not confess.
--Han Solo, from William Shakespeare's Star Wars
--Yahoo Bot
I pray thee, sir, forgive me for the mess. And whether I shot first, I'll not confess.
--Han Solo, from William Shakespeare's Star Wars