huckelberry wrote: ↑Fri Mar 14, 2025 5:35 am
I am happy to enjoy a painting by Grandma Moses they're they're Pleasant and kind of expressive in their own way on the other hand I find the comparison to Bruegel rather uncomfortable. Bruegel l is one of my favorite artists , I love how he constructs these enormous spaces of deep richness.One thing I think about when perspective is discussed is that Bruegel doesn't really use perspective ,in fact maybe the fact that he avoids perspective is what allows him to make such Grand spaces. Perspective has sort of a way of constricting space sometimes.e
That makes sense about perspective. Given your training what is "depth?" When I use the term in regards to Bruegel, I meant it in the context of more or less from "front to back" there is just so much to see and take in. In other words maybe "compressed vastness?" Does that make sense?
More home work on accurate terms.
I'm gong to reach out here and I would appreciate your trained thoughts on my naïve way to try to explain what I am seeing with Bruegel. He seems to be almost abstract in thought, while not with his brush. I am a loss of word on how to explain it.
In the painting below, in my opinion it is a mixture of normalcy, religion, demonic stuff, and I think, deep perceptions of 16th century everyday life.
In the first building on the left, upstairs, in my interpretation there is a man with a tooth ache in the first dormer window, and to his left there is a "dentist" pulling a tooth of a man. This seems like it might be a normal occurrence; as with the two men talking while shearing their sheep below them, and two women gossiping. And then in the lower left hand corner there is a woman holding down a demon while she appears to be looking at maybe her husband that has a knife, with one shoe on, beating his head against that a wall as if he was possessed? At the center of the canvass there is a fox sitting at a table with a bib on, with a plate in front of him.... waiting for food? There is just so much here.
Is there a name for this kind of "style?"
Here he seems to "settle down." I am not sure if the leather jacket is painted as worn, as old leather does, or it is from normal wear of the substrate and paint of a 500 year old painting, probably both....but either way it is awesome.
"The Peasant and the Birdnester"
Good stuff, I appreciate your opinions.