canpakes wrote: ↑Wed Mar 19, 2025 3:04 pm
Markk wrote: ↑Sun Mar 16, 2025 12:20 am
My question is, when what I call a "true artist", like a Bruegel, takes a two dimensional scene or thought, onto a canvas, to a three dimensional work of art...how do they do it, what do they see that others can't? It just blows me away.
Another way to look at this is to flip it around. How do you feel about an artist that takes a three-dimensional scene or thought (which all are, at least, arguably) and forcibly/dramatically projects three dimensions on the canvas using a two-dimensional representation? Much of what Picasso is famous for falls into that category, where the artist attempts to convey a stylized 3D vision using a purposely manipulated 2D form.
Also, extending that further - how do you feel about
texture within paintings where it is intended to transmit movement or depth?
Texture, I need to ponder on those questions (good ones). Can you paste a painting as an example, that would help for sure.
When it comes to Picasso, I'm not really into, even though I appreciate it, his very abstract stuff, but I love is softer stuff. In my reading he had several style periods, and from the little I have studied his work, I like his early stuff best, at least this week.
About 15 years ago I had a discussion with a friend that turned me on to Mondrian. One of his painting had just sold like 30 million. I just could not believe it. She is a architect and into art and worked with me to understand his style, to no avail. But as the years go on I really enjoy his work and can most often recognize his lines and colors. 50 million for a painting, no way, but artists and styles have a funny way of growing on a person, that is one of the beauties of it.
This went for 51 million recently.
